Millais Collection

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

The Princes in the Tower by Millais
The Princes in the Tower painted by John Everett Millais in 1878, depicting the sons of Edward IV (and nephews of Richard III), Edward V and his younger brother Richard

Moses / Millais / Hands Up
MOSES Hebrew prophet and lawgiver watches the Israelites defeat the Amalekites, his arms held up by Aaron and Hur to ensure success

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

JOHN HENRY NEWMAN. (1801-1890). English prelate and theologian. Oil on canvas, 1881, by Sir John Everett Millais

My Second Sermon
The second of two sentimental pictures by the pre-Raphaelite painter John Everett Millais (1829-1896) showing a little girl dressed in a red cape

My First Sermon by John Everett Millais
A little girl, wearing a red cape and fur muff, sits primly alert on a church pew listening to her first sermon. See Millaiss companion picture

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

Sir John Everett Millais, 1st Baronet, PRA (1829 -1896) Ophelia

Preraphaelites Mocked
Millais, Rossetti and Hunt ride a donkey monogrammed JR (Ruskin) - a mischievous parody of Millais painting Sir Isumbras at the ford

The Boyhood of Raleigh, after the painting by Sir John Everett Millais. Walter, and his older brother, seated on the ground listening to a sailors story. Sir Walter Raleigh, c.?1552 /1554 - 1618

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Sir John Everett Millais RA - portrait by Phil May
Brother Brushes - Portrait drawing by Phil May of Sir John Everett Millais RA (1829-1896) - English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood. Date: 1892

Sullivan / Millais
SIR ARTHUR SULLIVAN Musician, noted for his collaboration with Gilbert on a series of operettas

L Enfant du Regiment L Enfant du Regiment (The Random Shot) Signed and dated, lower right: " 18 [symbol] 55" in monogram " JEM", John Everett Millais, 1829-1896, British

Sir John Everett Millais, 1st Baronet, 1829 - 1896
3083245 Sir John Everett Millais, 1st Baronet, 1829 - 1896.; Private Collection; (add.info.: English painter and illustrator, one of the founders of the Pre-Raphaelite Brotherhood)

Will watching and listening at his friend's deathbed
537667 Will watching and listening at his friend's deathbed.; (add.info.: Will watching and listening at his friend's deathbed)

John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving)
537631 John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving); (add.info)

The Rev. and Mrs Crawley and their young family, 1860 (engraving)
537332 The Rev. and Mrs Crawley and their young family, 1860 (engraving); (add.info.: The Rev. and Mrs Crawley and their young family which, as an impoverished parson)

The Germ, the magazine founded by the Pre-Raphaelite Brotherhood in 1850 at the beginning of the movement. The Germ was a magazine established in 1850 at the beginning of the Pre-Raphaelite movement

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

The Grim Reaper, by John Everett Millais
The Grim Reaper by John Everett Millais Date: 1895

Study for the painting "Apple Blossoms" also known as "Spring" by Sir John Everett Millais
745838 Study for the painting "Apple Blossoms" also known as "Spring" by Sir John Everett Millais. From The Strand Magazine, published 1896 by English School, (19th century)

Miss Gertrude Vanderbilt, 1888 (oil on canvas)
1199601 Miss Gertrude Vanderbilt, 1888 (oil on canvas) by Millais, John Everett (1829-96); 240x157.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Huguenot, 1852 (oil on canvas)
3431771 The Huguenot, 1852 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table
658952 Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table, wearing a grey and white dress, 1891 (oil on canvas) by Millais

Housing of the working classes (b / w photo)
6013480 Housing of the working classes (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Housing of the working classes)

Christmas Eve, 1887, 1887 (oil on canvas)
827250 Christmas Eve, 1887, 1887 (oil on canvas) by Millais, John Everett (1829-96); 155x130.8 cm; Private Collection; (add.info.: Christmas Eve, 1887. Sir John Everett Millais (1829-1896)

Lilly, Daughter of John Noble, 1864 (oil on canvas)
658896 Lilly, Daughter of John Noble, 1864 (oil on canvas) by Millais, John Everett (1829-96); 91.5x71 cm; Private Collection; (add.info.: Lilly, Daughter of John Noble)

Pizarro Seizing the Inca of Peru, 1846 (oil on canvas)
658327 Pizarro Seizing the Inca of Peru, 1846 (oil on canvas) by Millais, John Everett (1829-96); 42x49.5 cm; Private Collection; (add.info.: Pizarro Seizing the Inca of Peru)

Helena Millais as Nance in Silver Creek
Helena Millais (1886-1970), actress and writer, in costume as Nance in Silver Creek. Date: circa 1912

Sir Henry Thompson by Sir J E Millais
Portrait of Sir Henry Thompson (1820-1904), surgeon, by Sir John Everett Millais (painted in 1881). 1881

John Everett Millais, The Rescue - a fireman rescues three children and returns them to their mother. 1855

Cartoon of W E Gladstone as Bubbles
Cartoon of W E Gladstone as John Everett Millais Bubbles. 1887

Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar
658895 Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas) by Millais

Garland Weavers, c. 1846 (oil on panel)
658585 Garland Weavers, c.1846 (oil on panel) by Millais, John Everett (1829-96); 19x14 cm; Private Collection; (add.info.: Garland Weavers. Sir John Everett Millais (1829-1896). Oil on panel

William Ewart Gladstone (photo)
820988 William Ewart Gladstone (photo) by Millais, John Everett (1826-96) (after); Private Collection; (add.info.: William Ewart Gladstone (1809-1898)

Sir John Everett Millais, from The Magazine of Art, published 1878 (litho)
1772379 Sir John Everett Millais, from The Magazine of Art, published 1878 (litho) by English School, (19th century); Private Collection; (add.info.: Sir John Everett Millais, 1st Baronet)

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Millais, a renowned artist of the 19th century, captured the essence of various subjects through his exceptional paintings. One such masterpiece is "Moses, " where Millais skillfully portrayed the biblical figure with striking realism and intensity. In another notable work, "The Princes in the Tower, " he depicted the tragic fate of young royals amidst political turmoil. In "My First Sermon" and "My Second Sermon, " Millais explored religious themes, showcasing his ability to convey deep emotions through art. These thought-provoking pieces invite viewers to reflect on their own spiritual journeys. Not limited to religious subjects, it also painted influential figures like John Henry Newman and John Ruskin. His portrait of Newman captures both his intellectual prowess and spiritual devotion, while Ruskin's depiction reveals a profound sense of introspection. Amongst his diverse portfolio lies "Sir Isumbras at the Ford, " a captivating scene from medieval literature that showcases Millais' talent for storytelling through imagery. Similarly, in "Autumn Leaves, " he beautifully portrays the melancholic beauty of nature's transition. "The Order of Release" depicts historical events with great attention to detail and emotion. This painting transports us back to a significant moment in history when compassion triumphed over conflict. Lastly, Millais brought Anthony Trollope's novel "Framley Parsonage" to life with an evocative scene that captures its essence perfectly. Through this artwork, we witness his ability to translate literary narratives into visual masterpieces. Throughout his career, Millais demonstrated unparalleled artistic skill and versatility by delving into various genres and capturing moments frozen in time with remarkable precision. His works continue to inspire awe and admiration even today as they serve as windows into different eras and stories untold.