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Canvas Print : Setting up a camera shot, Kashgar, western China
Canvas Prints from Mary Evans Picture Library
Setting up a camera shot, Kashgar, western China
Local men stand watching as a western man sets up his camera to take a shot, on a trip through Kashgar, western China. Photograph by Ralph Ponsonby Watts
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4414789
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10279511
1932 Camera Colonialism Kashgar Ponsonby Ralph Setting Shot Trip Watching Xinjiang Racial
20"x16" (51x41cm) Canvas Print
Introducing the captivating "Setting up a camera shot, Kashgar, western China" Canvas Print from Media Storehouse's exclusive range. This exquisite piece, sourced from Mary Evans Prints Online, transports you to the heart of western China with its evocative image of a western man setting up his camera amidst curious local onlookers in Kashgar. The rich, vibrant colors and high-quality canvas material bring the intrigue and culture of this ancient city to life, making it a stunning addition to any home or office decor. Experience the allure of this enchanting moment in time, captured by the skilled lens of Ralph Ponsonby Watts.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this evocative black-and-white photograph taken by Ralph Ponsonby Watts in 1932, we witness a moment of cultural exchange and curiosity in the historic city of Kashgar, western China. The scene unfolds as a western man, dressed in a suit and hat, meticulously sets up his camera to capture a shot. Local men, dressed in traditional garb, gather around him, intently watching and observing the process. The image transports us back in time to the 1930s, a period marked by the intersection of colonialism and exploration. The western man, likely a traveler or photographer, represents the intrusion of the western world into the far reaches of China's Xinjiang region. The local men, on the other hand, embody the rich cultural heritage and history of Kashgar, a city that has been a crossroads of trade and cultural exchange for centuries. The photograph captures the racial and cultural tensions that were prevalent during this time, yet it also highlights the sense of wonder and fascination that can arise from such encounters. The men's expressions suggest a mix of curiosity and skepticism, as they observe the western man's technology and techniques. The scene is a reminder of the complex and nuanced interactions between different cultures and the role that photography played in documenting and shaping perceptions of the "Orient" during the colonial era. Overall, this photograph is a powerful reminder of the historical significance of Kashgar and the rich cultural tapestry that has shaped its past and continues to influence its present. It invites us to reflect on the complexities of colonialism and the ways in which it impacted the lives of people in far-flung corners of the world.
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