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African plants, 17th century C013 / 7754

African plants, 17th century C013  /  7754


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African plants, 17th century C013 / 7754

African plants, 17th-century artwork. Four known plants are named (left to right): sykomorus (sycamore fig), tamarind (tamarind), balzem (balsam), and baobab (baobab). This engraving is from Africa (1670) by the London-based Scottish cartographer John Ogilby (1600-1676). This 767-page atlas describes the known lands and peoples of Africa, with 57 plate engravings of maps and artworks. Largely based on the 1668 work Naukeurige Beshryvinge der Afrikaenesche gewesten by Dutch geographer Olfert Dapper, the engravings were by 17th-century Dutch artist Jacob van Meurs

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Media ID 9199875

© MIDDLE TEMPLE LIBRARY/SCIENCE PHOTO LIBRARY

1600s 1670 17th Century Africa African Atlas Dutch Engraving Herb Herbal Herbal Medicine John Ogilby Medicinal Plants Trees Adansonia Digitata Balsam Baobab Jacob Van Meurs Olfert Dapper Tamarind Tamarindus Indica


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> Arts > Artists > D > Olfert Dapper

> Arts > Artists > D > Olfert Dappers

> Arts > Artists > M > Jacob van Meurs

> Arts > Artists > O > John Ogilby


EDITORS COMMENTS
This print showcases a remarkable piece of 17th-century artwork depicting African plants. Created by the talented Dutch artist Jacob van Meurs, this engraving is part of a larger atlas titled "Africa" published in 1670 by Scottish cartographer John Ogilby. The atlas spans an impressive 767 pages and offers detailed descriptions of the lands and peoples of Africa. In this particular engraving, four distinct plants are beautifully illustrated from left to right: sykomorus (sycamore fig), tamarind (tamarind), balzem (balsam), and baobab (baobab). Each plant holds its own significance in African history, culture, and biology. From the medicinal properties associated with balsam to the iconic stature of the baobab tree, these botanical wonders have played vital roles throughout time. The meticulous attention to detail in this monochrome illustration allows us to appreciate not only the artistic skill but also gain insights into historical botany. It is worth noting that Ogilby's work heavily relied on Olfert Dapper's comprehensive account of African regions published in 1668. This print serves as a visual testament to our fascination with nature's diversity and humanity's enduring quest for knowledge. It reminds us that even centuries ago, explorers like Ogilby sought to document and understand the world around them through artistry and scientific inquiry.

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