1860 Perthes handaxes, Abbeville, Amiens
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1860 Perthes handaxes, Abbeville, Amiens
Fine lithographic plate with tinting according to the text, of " Predominant forms of flint implements found in the valley of the Somme" from " Artefacta Antiquissima - Geology in its Relation to Primeval Man" by Henry Duckworth, Liverpool printer, 1860. This is one of the first publications to consider Boucher de Perthes, Evans and Prestwichs argument for human antiquity on the basis of their discoveries of in-situ handaxes with extinct megafauna in the drift gravels of the Somme. While Boucher de Perthes illustrations were poor, and Evans rather too stylized, this print gave the best impression of what the flints actually looked like. On the question of men among the mammoths, Duckworth himself concludes here, " that the wiser course by far is to exercise that habit of mind which a reviewer of Mr. Darwins work on the Origin of Species has recommended - doubt"
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Media ID 6344965
© PAUL D STEWART/SCIENCE PHOTO LIBRARY
Antiquity Biface Darwin Discovery France Hand Axe Human Antiquity Prestwich Stone Tools Abbeville Amiens Boucher Evans Somme
EDITORS COMMENTS
This print takes us back to the year 1860, when groundbreaking discoveries were being made in the valley of the Somme. The lithographic plate with delicate tinting showcases a collection of handaxes from that era, known as the "1860 Perthes handaxes". These flint implements were found in-situ alongside extinct megafauna in the drift gravels of Abbeville and Amiens. The print is part of Henry Duckworth's renowned publication, "Artefacta Antiquissima - Geology in its Relation to Primeval Man" which played a significant role in supporting Boucher de Perthes, Evans, and Prestwich's argument for human antiquity. While previous illustrations by Boucher de Perthes and Evans lacked accuracy or style respectively, this particular print offers an authentic representation of what these ancient flints truly looked like. Duckworth himself raises thought-provoking questions about men coexisting with mammoths. In his conclusion within this very publication, he suggests embracing doubt as advocated by a reviewer of Mr. Darwin's work on the Origin of Species. This encourages readers to exercise open-mindedness while considering the implications brought forth by these remarkable findings. Paul D. Stewart skillfully captures not only the essence but also the historical significance behind this illustration through his lens. As we gaze upon this image today, we are transported back to a time when humanity was just beginning to unravel its own origins amidst France's rich archaeological landscape.
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