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1560 Gesners Salzberg Satyr

1560 Gesners Salzberg Satyr


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1560 Gesners Salzberg Satyr

Gesner woodcut with contemporary colouring from " Icones Animalium" Publ. Christof Froschover, Zurich, 1560. Gesner illustrates a creature captured in the forest of Hanesbergium in the diocese of Salzberg." Of a reddish colour verging on blond; of a marked savagery, fleeing from men, and when able hiding in darkness. Keeping him in captivity was not possible because of his need to eat, so he died after a few days. His back feet were different from his front and considerably longer - he was captured in the year of grace 1531". The image clearly shows a female and it is possible Gesner is also referencing a sphinx which in the middle age was represented with a monkeys body and griffins feet

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Media ID 6347951

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

16th Century Animalium Austria Bestiary Colour Conrad Cryptozoology Demon Early Folk Lore Gesner Gessner Historiae Icones Middle Ages Monster Natural History Satyr Wood Cut Cryptid Salzberg Sphinx


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EDITORS COMMENTS
This print showcases the 1560 Gesners Salzberg Satyr, a fascinating creature depicted in a woodcut from "Icones Animalium" published by Christof Froschover in Zurich. The image, beautifully colored with contemporary hues, portrays a reddish-blonde creature of marked savagery. According to Conrad Gesner's account, this elusive being was captured in the forest of Hanesbergium within the diocese of Salzberg. The satyr displayed an instinctual fear of humans and sought refuge in darkness whenever possible. Unfortunately, attempts to keep it captive were unsuccessful due to its voracious appetite, leading to its demise after only a few days. Notably, the satyr possessed distinct features: its hind feet differed from its front ones and were considerably longer. Gesner's illustration hints at potential references beyond mere zoology; he may also be alluding to medieval depictions of sphinxes that featured monkey-like bodies and griffin-like feet. This connection adds another layer of intrigue to this enigmatic creature. Transporting us back to early 16th-century Austria, this artwork blends elements of natural history and folklore seamlessly. It offers glimpses into cryptozoology and lycanthropy while evoking the mystical aura associated with bestiaries from the Middle Ages. Paul D. Stewart's skillful capture immortalizes this mesmerizing piece for our contemplation—a testament to both artistic talent and scientific curiosity.

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