Premium Framed Print : Satire on Quakers
Framed Photos from Mary Evans Picture Library
Satire on Quakers
Satirical comment on the QUAKERS
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 586733
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10192140
1830 Comment Quakers Satire Satirical Sects
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
A Quaker Meeting - Or, How to Sit Down and Worship the Devil in Comfort,
EDITORS COMMENTS
Circa 1830. This satirical print offers a humorous yet insightful commentary on the Quaker sect, a religious group known for their distinctive practices and beliefs, which emerged in the 17th century in England. The title itself, "How to Sit Down and Worship the Devil in Comfort," alludes to the common perception that Quakers, with their plain dress and simple worship practices, were not only unconventional but also potentially in league with the devil. The image depicts a group of Quakers gathered in a meeting house, each one seemingly more uncomfortable than the next. One man, with a pitchfork in hand, appears to be in the throes of a fit, while another, with a devilish grin, seems to be enjoying the discomfort. A woman in the foreground, with a broom in hand, sweeps the floor as if to suggest that the devil is present in the room. The use of such imagery was a common tactic in anti-Quaker satire, which sought to mock and ridicule the group's unorthodox beliefs and practices. Despite the derisive tone of the print, it offers a glimpse into the social and religious climate of the time. The Quakers, who rejected the established Church of England and its hierarchical structure, were often subjected to ridicule and persecution. This print, therefore, serves as a reminder of the complex and often contentious relationship between religion and society in 19th-century England. The print also highlights the role of satire as a means of social commentary and critique. By using humor and exaggeration, satirical works like this one were able to challenge societal norms and provoke thought and discussion. Today, this print remains an intriguing and insightful window into the past, offering a unique perspective on the history of Quakerism and the broader cultural context of the time.
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