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Premium Framed Print : Philip of Swabia, King of Germany
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Philip of Swabia, King of Germany
Philip of Swabia, 1177-1208. Philippus Suevia Dux, King of Germany, House of Hohenstaufen. Copperplate engraving from Abraham Bogaerts De Roomsche Monarchy, The Roman Monarchy, Francois Salma, Utrecht, 1697
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Media ID 23380816
© Florilegius
Abraham Augustus Bogaert Caesar Caesars Coin Kaisers Livius Lucius Monarchy Philip Roomsche Swabia Token Galba Servius
16"x16" Premium Frame
Contemporary style Premium Wooden Frame with 10"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 40.6cm x 40.6cm (16" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking copperplate engraving depicts Philip of Swabia, also known as Philippus Suevia Dux, who ruled as King of Germany from 1198 until his untimely death in 1208. A member of the powerful Hohenstaufen dynasty, Philip was the eldest son of Emperor Frederick Barbarossa and succeeded his father upon his death during the Third Crusade. The image of Philip is rendered with great detail and precision, showcasing his regal attire and the imperial insignia of the double-headed eagle, symbolizing his claim to both the German and Roman imperial thrones. The engraving is taken from Abraham Bogaerts' De Roomsche Monarchy, or The Roman Monarchy, published in Utrecht in 1697. The classical influence on the portrait is evident in the depiction of Philip as a Roman emperor, with references to famous Roman rulers such as Galba, Servius Sulpicius Caesar, and Lucius Livius Ocellus. This artistic approach was common during the 17th century, as European monarchs sought to legitimize their rule by associating themselves with the grandeur and prestige of ancient Rome. The intricate details of the engraving, from the delicate folds of Philip's robes to the intricate patterns on his imperial crown, showcase the skill and artistry of the engraver. The image serves as a powerful reminder of the enduring influence of Rome on European culture and the complex political landscape of the Middle Ages.
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