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Premium Framed Print : View in Home Park, Glenarm
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View in Home Park, Glenarm
View in Home Park, Glenarm (1796). Barralet, John James c1747 - 1815 (Unknown pupil of). Date: 1796
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 13101757
© National Museums NI / MARY EVANS
1796 Glenarm Laid Pencil Pupil Sepia Unknown Wash Watermark Barralet Whatman
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This exquisite pencil, sepia wash, and white drawing on laid paper dates back to 1796, capturing a breathtaking view in Home Park, Glenarm. The artwork is attributed to John James Barralet, an English artist known for his topographical and architectural drawings. Although not definitively confirmed, it is believed that Barralet may have been a pupil of an unknown master at the time of creating this piece. The drawing portrays a serene and picturesque scene of Home Park, with its lush greenery, winding paths, and tranquil body of water reflecting the sky above. The meticulous attention to detail is evident in the intricate depiction of the trees, their branches reaching out to frame the view, and the textured rendering of the water's surface. The paper on which the drawing is mounted bears the watermark of Whatman, a renowned English paper manufacturer active during the late 18th century. The use of high-quality paper, along with the artist's masterful technique, speaks to the importance placed on the preservation and documentation of the natural beauty of the time. This work of art offers a glimpse into the past, transporting us to a time when the appreciation for the natural world and the artistry of recording it were at the forefront of creative expression. The intricacies of the drawing, combined with the historical significance of its creation, make it a valuable addition to any collection of topographical or historical art.
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