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Premium Framed Print : Modern Athenians plate 8 - Edinburgh
Framed Photos from Mary Evans Picture Library
Modern Athenians plate 8 - Edinburgh
John Irvine (d. 1839) beautifully described as a " creeping figure, of too solid flesh, so sadly restricted in locomotion". Facing him is Captain Hugo Arnot (d. 1838) a man of which little is known, wearing an eye catching check or possibly tartan suite
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Media ID 4409718
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10285648
1838 1839 Antiquated Athenians Catching Check Creeping Edinburgh Flesh Hugo Irvine Poised Solid Suite Tartan Walk
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Plate 8 - Edinburgh: A Chance Encounter of Two Epochs In this evocative image from the Modern Athenians series by John Irvine, we find ourselves in the heart of Edinburgh's Old Town, where time seems to have stood still. The creeping figure of John Irvine (d. 1839), described by his contemporaries as a 'creeping figure, of too solid flesh, so sadly restricted in locomotion,' is poised for a moment of contemplation, his gaze fixed on an unseen object. His antiquated costume, with its voluminous trousers and high-waisted jacket, adds to the sense of an earlier age. Facing Irvine is Captain Hugo Arnot (d. 1838), a man of whom little is known, save for his eye-catching check or possibly tartan suit. The captain's costume, with its bold, contrasting patterns, stands out against the muted tones of Irvine's attire, highlighting the juxtaposition of the old and the new. Arnot's confident, poised demeanor contrasts sharply with Irvine's slow, deliberate movements, creating a sense of tension and intrigue. The historical backdrop of Edinburgh's Old Town adds to the richness of the scene, with its narrow streets, ancient buildings, and bustling crowds. The modern world is encroaching, but for a moment, Irvine and Arnot exist in a world of their own, their chance encounter a reminder of the past in the midst of the present. This image, taken from the extensive collection of Mary Evans Prints Online, invites us to pause and reflect on the passage of time and the enduring power of history.
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