Premium Framed Print : H. M. Bateman all by himself by H. M. Bateman
Framed Photos from Mary Evans Picture Library
H. M. Bateman all by himself by H. M. Bateman
Self-portrait caricature by H. M. Bateman showing the artist sitting in a prison cell drawing. Several false noses and eyeballs hang from the walls. Bateman (1887-1970) was a popular artist and regularly contributed to the Sketch, the Tatler and the Bystander. His efficient, bold style depicting social faux-pas was ground breaking for its time and his work is a brilliant reflection of the period
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Media ID 4369648
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10217236
Bateman Cell Disguises False Hang Noses Prison Tears Walls 1924 Eyeballs
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
"In this intriguing self-portrait by the renowned British artist, H.M. Bateman, we find him sitting alone in a prison cell, surrounded by the trappings of his artistic trade. The year is 1924, and Bateman's efficient, bold style, which would become synonymous with social commentary and satire, was already making waves in the world of art. The artist's expression is one of contemplation and perhaps even a hint of melancholy, as he focuses intently on his drawing. The stark, dimly lit cell, with its cold, gray walls, serves as an apt backdrop to Bateman's introspective moment. But it is the details that truly bring this image to life. Hanging from the walls of the cell are several false noses and eyeballs, a nod to Bateman's penchant for disguises and caricature. The presence of these props adds an air of mystery and intrigue to the scene, further emphasizing the artist's ability to transform himself and those around him through his art. Despite the somber setting, there is a sense of levity and humor in the image, a testament to Bateman's unique ability to find the absurdity in everyday life. This self-portrait is not only a fascinating glimpse into the life of a brilliant artist but also a brilliant reflection of the period in which he lived." H.M. Bateman (1887-1970) was a popular British artist who regularly contributed to publications such as the Sketch, the Tatler, and the Bystander. His groundbreaking work, which depicted social faux-pas with an efficient, bold style, continues to be celebrated for its historical significance and its ability to capture the spirit of the time. This self-portrait, with its intriguing setting and thought-provoking details, is a testament to Bateman's artistic prowess and his enduring legacy.
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