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Premium Framed Print : Giotto di Bondone (1266 / 7-1337). Pope Innocent III approving
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Giotto di Bondone (1266 / 7-1337). Pope Innocent III approving
Gothic Art. Italy. Giotto di Bondone (1266/7-1337). Italian painter and architect. Pope Innocent III approving the monastic rule of St. Francis of Assisi (1296). Fresco of the Upper Church of St. Francis. Assisi. Italy
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Media ID 14321067
© Thaliastock / Mary Evans
13th Assisi Aura Aureole Bondone Ecclesiastic Francis Franciscan Fresco Friar Giotto Halo Innocent Monastic Monk Mural Order Painitng Pope Rule Upper
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this exquisite 13th-century fresco, Giotto di Bondone captures a pivotal moment in the history of the Franciscan Order as Pope Innocent III approves the monastic rule of St. Francis of Assisi. The scene unfolds in the Upper Church of St. Francis in Assisi, Italy, a testament to the profound impact of these two influential figures on the religious landscape of the Middle Ages. Giotto masterfully depicts Pope Innocent III, dressed in the rich robes of his ecclesiastical office, seated on a throne, his hand raised in blessing as he signs the document that would establish the Franciscan Rule. The aura around his head, indicated by the golden halo, signifies his divine authority and spiritual connection. Beside him, St. Francis, dressed in the simple brown habit of a Franciscan friar, humbly presents the rule to the Pope. The halo above his head, also golden, signifies his sainthood and divine inspiration. The contrast between the Pope's opulence and St. Francis's simplicity underscores the radical nature of the Franciscan movement, which rejected material wealth and embraced poverty and humility. The fresco's intricate details, from the folds of the robes to the expressions on the faces of the figures, demonstrate Giotto's remarkable skill as a painter. The use of perspective and the sense of depth created by the receding architecture in the background further enhance the visual impact of the scene. This masterpiece, created during the late Gothic period, is a testament to the enduring influence of Giotto di Bondone on the development of Western art and the profound impact of St. Francis and Pope Innocent III on the religious and social landscape of medieval Europe.
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