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Premium Framed Print : COSTUME / MAN, 1634

COSTUME  /  MAN, 1634



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COSTUME / MAN, 1634

Philiste, a character in Corneilles comedy La Veuve Date: 1634

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14280965

© Mary Evans Picture Library

1634 Character Comedy Corneille Veuve


14"x18" Premium Frame

Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")

Estimated Product Size is 35.6cm x 45.8cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This image showcases the elaborate and ornate costume of Philiste, a character from the renowned French playwright Pierre Corneille's comedy "La Veuve" (The Widow), first performed in 1634. The man depicted in the photograph, dressed in the role of Philiste, embodies the extravagance and theatricality of the Baroque era. Philiste is a secondary character in Corneille's play, known for his pompous and self-important demeanor. He is a wealthy and influential man, who believes that his wealth and social status entitle him to the affections of the play's protagonist, Arippe. However, Arippe, a widow, is not interested in his advances and instead falls in love with Valère, a humble and virtuous man. The costume of Philiste reflects his inflated sense of self-importance and his desire to impress. The image reveals a man dressed in a richly embroidered doublet, adorned with intricate gold lace and decorative buttons. The voluminous sleeves and the high collar add to the grandeur of the costume, while the breeches and the knee-high boots complete the look. The hat, topped with a large feather, further emphasizes his status and wealth. The photograph, taken from Mary Evans Prints Online, offers a glimpse into the opulence and grandeur of the Baroque era and the theatrical world of Pierre Corneille. It is a reminder of the importance of costume in bringing a character to life and conveying their personality to the audience.

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