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Premium Framed Print : Cartoon, King Ferdinand of Bulgaria and Judas, WW1
Framed Photos From Mary Evans Picture Library
Cartoon, King Ferdinand of Bulgaria and Judas, WW1
Cartoon, King Ferdinand of Bulgaria and Judas, both seen as betrayers. Judas hanged himself in remorse after betraying Christ, and he now offers Ferdinand a rope for him to do the same. Date: 1915
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Media ID 14236485
© Mary Evans Picture Library
Baionnette Betray Biblical Bulgaria Bulgarian Caricatures Cheat Ferdinand Gospel Gospels Hanged Hanging Judas Liar Nose Powers Remorse Rope Testament Unreliable Betrayer Betraying
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking and thought-provoking political cartoon, published in 1915 during the height of World War I, depicts two infamous betrayers coming together in a chilling scene. On the left, we see King Ferdinand I of Bulgaria, known for his long nose and distinctive big-brimmed hat, representing Bulgaria's involvement in the Central Powers during the war. On the right, the figure of Judas Iscariot, clad in a grey coat and holding a rope, extends a hand towards Ferdinand with an offer of salvation. Judas, the notorious betrayer of Jesus Christ, is depicted here as a symbol of treachery and deceit, much like Ferdinand's decision to join the Central Powers despite Bulgaria's initial neutrality. The biblical reference adds an additional layer of meaning, emphasizing the moral implications of betrayal and its consequences. The artist masterfully uses the caricature style to emphasize the physical differences between the two figures, enhancing the contrast between them. The use of a baionnette as a prop in the background serves as a reminder of the brutal realities of war and the devastating consequences of betrayal. This powerful image, with its historical and biblical undertones, serves as a poignant reminder of the destructive nature of betrayal and the far-reaching consequences of political alliances during times of conflict. The year 1915 marked a pivotal moment in World War I, and this cartoon offers a unique perspective on the complex web of political maneuvering and moral dilemmas that characterized the era.
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