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Premium Framed Print : Whore full figure pencil washed mounted sheet
Framed Photos from Liszt Collection
Whore full figure pencil washed mounted sheet
Whore in full figure, pencil, washed, mounted, sheet: 16.3 x 10.5 cm, not marked, Constantin Guys, Vlissingen 1802-1892 Paris
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19592397
© Artokoloro
Constantin Guys Full Figure Marked Mounted Pencil Vlissingen 1802–1892 Paris Washed Whore
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection showcases the artwork titled "Whore in full figure, pencil, washed, mounted, sheet" by Constantin Guys. Measuring 16.3 x 10.5 cm, this exquisite piece captures the essence of a woman's allure and beauty with remarkable precision. The artist's meticulous use of pencil and wash techniques brings forth an incredible level of detail to this mounted sheet. Every stroke seems to breathe life into the subject, revealing her sensuality and vulnerability simultaneously. The marked dimensions on the sheet indicate its authenticity and add historical significance to this remarkable creation. Constantin Guys was a renowned artist born in Vlissingen in 1802 but later moved to Paris where he spent most of his life until his passing in 1892. His ability to capture human emotions through art is evident in this particular piece as well. As we admire this print, let us appreciate it for its artistic value rather than focusing on any potential commercial use it may have had or could have now. Instead, let us delve into the intricate details that Constantin Guys has masterfully portrayed within these limited dimensions - a testament to his skill as an artist and our own capacity for appreciation of true beauty captured on paper.
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