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Premium Framed Print : Nae That Fou!, 1870. Artist: Charles Samuel Keene

Nae That Fou!, 1870. Artist: Charles Samuel Keene



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Nae That Fou!, 1870. Artist: Charles Samuel Keene

Nae That Fou!, 1870. This cartoon illustrates the growing difficulties that the middle-classes were experiencing in finding, and retaining, good servants. From Punch, or the London Charivari, October 8, 1870

Heritage Images features heritage image collections

Media ID 14831476

© The Print Collector / Heritage-Images

Charles Samuel Charles Samuel Keene Drinking Drunk Drunkenness Flask Gardener Gardening Heritage Image Partnership Keene Leaning Lying Middle Class Servant Social Class


14"x16" Premium Frame

Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")

Estimated Product Size is 40.6cm x 35.6cm (16" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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Nae That Fou!, 1870

EDITORS COMMENTS
is a captivating print by Charles Samuel Keene that offers a humorous yet thought-provoking commentary on the challenges faced by the middle-classes in finding reliable domestic help during the 19th century. In this satirical cartoon, Keene skillfully portrays a scene where a frustrated middle-class man leans out of his window, observing his drunken gardener lying lazily amidst his neglected plants. The artist's intention becomes clear as he highlights the concept of social class and its impact on everyday life. The well-dressed gentleman represents the middle-class society, striving to maintain their status and lifestyle through diligent work and responsible behavior. However, their efforts are thwarted by unreliable servants who indulge in excessive drinking instead of fulfilling their duties. Keene's monochrome engraving effectively captures both the comical aspect of the situation and its underlying critique. The black-and-white imagery emphasizes contrasts between order and chaos, responsibility and irresponsibility. It invites viewers to reflect upon societal norms surrounding occupation and professionalism while offering an amusing portrayal of human folly. This heritage image partnership print serves as a historical document that sheds light on British culture during this era. By exploring themes such as class dynamics, job expectations, and personal vices like alcoholism, "Nae That Fou!" provides valuable insights into the challenges faced by different social strata in Victorian Britain

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