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Premium Framed Print : Immortality, 1886. Creator: Henri Fantin-Latour (French, 1836-1904)
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Immortality, 1886. Creator: Henri Fantin-Latour (French, 1836-1904)
Immortality, 1886. " Wagnerism" --the fascination with Richard Wagners music and aesthetic theories--was ignited in Paris in 1861 with the premier of Tannhauser, an opera so controversial that it was forced to close after the third performance. Wagners concept of the gesamtkunstwerk, the total work of art in which all the arts were to be equal and united, sparked the imagination of artists and writers of the period. Fantin-Latour in particular dedicated himself to transferring the suggestive powers of music to his graphic work
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Media ID 19636163
© Heritage Art/Heritage Images
1836 1904 Henri Fantin Latour Henri Fantin Latour French
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Immortality, 1886" by Henri Fantin-Latour captures the essence of Wagnerism, a movement that swept through Paris in the late 19th century. This lithograph is a testament to the artist's dedication in translating the evocative power of music into his visual creations. Wagnerism was ignited in Paris with the controversial premiere of Richard Wagner's opera, Tannhauser, in 1861. The opera's audacious themes and aesthetic theories forced its closure after just three performances. However, it sparked an intense fascination among artists and writers of the time. Fantin-Latour was particularly enthralled by Wagner's concept of gesamtkunstwerk - the idea that all arts should be equal and united within a single work. In "Immortality" he skillfully brings together elements from different artistic realms to create a harmonious composition. Through this lithograph, Fantin-Latour successfully conveys the emotional depth and grandeur associated with Wagnerian music. The image exudes an ethereal quality as if capturing a fleeting moment frozen in time. It invites viewers to immerse themselves in this total work of art where sound becomes tangible through sight. As we gaze upon this remarkable piece, we are reminded not only of Fantin-Latour's talent but also of how art can transcend boundaries and inspire across various mediums. "Immortality" stands as a testament to both Wagnerism's enduring influence on French culture
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