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Premium Framed Print : Illustration from "Fabulae Aesopi", plate 34 from Woodcuts... 1501, assembled...1937. Creators: Unknown, Max Geisberg. Illustration from "Fabulae Aesopi", plate 34 from Woodcuts... 1501, assembled...1937. Creators: Unknown, Max Geisberg
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Illustration from "Fabulae Aesopi", plate 34 from Woodcuts... 1501, assembled...1937. Creators: Unknown, Max Geisberg. Illustration from "Fabulae Aesopi", plate 34 from Woodcuts... 1501, assembled...1937. Creators: Unknown, Max Geisberg
Illustration from "Fabulae Aesopi", plate 34 from Woodcuts from Books of the XVI Century, 1501, assembled into portfolio 1937
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Media ID 36197772
© Heritage Art/Heritage Images
Aesop Aesops Fables Aesopus Moralisatus Bed Chamber Bedchamber Bedroom Geisberg Max Lying Lying Down Max Geisberg Page Portfolio Woodcut On Paper
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This illustration is taken from plate 34 of the Fabulae Aesopi, a collection of Aesop's Fables, published in woodcut form in the year 1501. The image, assembled into a portfolio in 1937 by Max Geisberg, showcases a unique blend of the 16th and 20th centuries. The scene depicts a monarch lying in his bedchamber, surrounded by his courtiers, who are transporting a boat into the room. The king appears to be receiving a letter while looking concerned, suggesting the fable being depicted is 'The Man and the Boat.' The illustration is a testament to the rich cultural heritage of both the 16th and 19th centuries. The antique woodcut style is juxtaposed with the modern presentation, highlighting the enduring appeal of Aesop's Fables. The intricate detailing and lettering in the illustration are characteristic of the intricacy and artistry of the 16th century, while Geisberg's assembly of the plates into a portfolio adds a contemporary touch. The illustration is a fascinating depiction of the concept of 'The Man and the Boat,' a fable that emphasizes the importance of honesty and the consequences of lying. The figures in the illustration are rendered with great care, each one adding to the overall narrative of the scene. The use of black and white adds to the timeless quality of the image, making it a must-see for anyone interested in art, literature, or history. This illustration is a valuable addition to any art collection or gallery, showcasing the best of both the 16th and 20th centuries. It is a testament to the enduring appeal of Aesop's Fables and the artistry of the woodcut medium.
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