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Premium Framed Print : The death of Cato, c. 1640. Artist: Assereto, Gioacchino (1600-1649)
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The death of Cato, c. 1640. Artist: Assereto, Gioacchino (1600-1649)
The death of Cato, c. 1640. Found in the collection of the Musei di Strada Nuova, Genoa
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Media ID 14900142
© Fine Art Images
Cato Cato The Younger School Of Genoa Suicide Marcus Porcius Cato
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Death of Cato" is a captivating painting by Gioacchino Assereto, created around 1640. This masterpiece can be found in the esteemed collection of Musei di Strada Nuova in Genoa, Italy. Assereto, a prominent artist of the Baroque era, skillfully captures the tragic moment when Cato uticensis takes his own life. The canvas depicts an intense scene filled with emotion and symbolism. Cato the Younger, a renowned Roman statesman and philosopher from ancient times, stands at the center of attention. His face reflects determination rather than despair as he prepares to end his life to preserve his honor and freedom. Assereto's meticulous brushwork brings every detail to life - from the folds of Cato's garments to the shadows cast upon his face. The use of oil paints adds depth and richness to this allegorical representation. This painting not only showcases Assereto's technical prowess but also highlights his profound understanding of mythology, literature, and history. Through "The Death of Cato" viewers are reminded of timeless themes such as sacrifice for principles and individual agency against oppressive forces. As part of the School of Genoa movement that emphasized naturalism and dramatic lighting effects, Assereto masterfully conveys both physical reality and emotional intensity within this composition. "The Death of Cato" remains an enduring testament to Assereto's artistic genius while serving as a poignant reminder that even in death one can find dignity.
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