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Premium Framed Print : The Polling, 1758 (engraving)
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The Polling, 1758 (engraving)
XJF393886 The Polling, 1758 (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: from the Humours of an Election series; ); English, out of copyright
Media ID 12834225
© www.bridgemanart.com
Booth Coercion Corrupt Corruption Disabled English Politics Intimidation Invalid Polling Station Rowdy Tories Voters Voting Whigs Mentally Physically
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
The Polling, 1758 (engraving) by William Hogarth captures the chaotic and corrupt nature of English politics in the 18th century. Part of his renowned Humours of an Election series, this print offers a satirical commentary on the electoral process. In this scene, we witness a rowdy polling station filled with male voters from different walks of life. Among them are invalid and disabled individuals, highlighting the disregard for their rights and representation. The engraving also exposes coercion and intimidation tactics employed by political parties such as the Whigs and Tories to secure votes. Hogarth's keen eye for detail brings out every aspect of Georgian society's flaws through cleverly crafted caricatures. With humor as his weapon, he sheds light on corruption within the system while providing entertainment to viewers. This artwork serves as a reminder that even centuries ago, political satire played an essential role in critiquing power structures. It invites us to reflect upon our own democratic processes today, questioning whether progress has been made or if similar issues still persist. The Polling is not just a historical artifact but also a testament to Hogarth's artistic genius in capturing societal complexities through visual storytelling.
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