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Premium Framed Print : Bust of James Peck Thomas, 1874 (marble)
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Bust of James Peck Thomas, 1874 (marble)
477768 Bust of James Peck Thomas, 1874 (marble) by Lewis, Mary Edmonia (1844-1907); Allen Memorial Art Museum, Oberlin College, Ohio, USA; eAllen Memorial Art Museum; R.T. Miller, Jr. Fund; American, out of copyright
Media ID 23161544
© Allen Memorial Art Museum R.T. Miller, Jr. Fund / Bridgeman Images
Distinguished Formal Waistcoat
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite "Bust of James Peck Thomas" sculpted by Mary Edmonia Lewis in 1874. Crafted from marble, this stunning piece resides in the Allen Memorial Art Museum at Oberlin College, Ohio, USA. The bust portrays a distinguished African American man with a meticulously groomed moustache and an air of elegance. His formal attire includes a waistcoat and tie, adding to his refined appearance. The artist's attention to detail is evident in every curve and contour of this remarkable sculpture. James Peck Thomas himself was an accomplished male figure who played a significant role within the art world during his time. As an African American artist, he defied societal expectations and made invaluable contributions to the field of portraiture. Lewis, also an African American sculptress, skillfully captured Thomas' essence through her artistry. Her talent shines through as she expertly molds the marble into a lifelike representation of her subject. This photograph immortalizes both Lewis' artistic prowess and Thomas' legacy as it beautifully captures their collaboration. It serves as a reminder that great art knows no boundaries or limitations – it transcends race and time. As we gaze upon this powerful image, we are reminded not only of the beauty found within fine art but also of the resilience and creativity that can emerge from marginalized communities throughout history.
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