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Premium Framed Print : Monument to Maria Clementina Sobieska (1702-35) 1739 (marble)
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Monument to Maria Clementina Sobieska (1702-35) 1739 (marble)
XZL148164 Monument to Maria Clementina Sobieska (1702-35) 1739 (marble) by Barigioni, Filippo (1690-1753); St. Peter s, Vatican City; (add.info.: wife of James Stuart, the Old Pretender; ); Italian, out of copyright
Media ID 23227566
© Bridgeman Images
Porphyry Putti Saint Pierre Sarcophagus Cherubim Cherubs
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Arts
> Art Movements
> Baroque
> Europe
> Italy
> Lazio
> Rome
> Historic
> Monuments and landmarks
> Monuments and memorials
> North America
> Saint Pierre and Miquelon
> Saint-Pierre
EDITORS COMMENTS
This print showcases the exquisite "Monument to Maria Clementina Sobieska" created by Filippo Barigioni in 1739. The marble sculpture, located in St. Peter's Basilica in Vatican City, is a testament to the beauty and grandeur of baroque art. The monument commemorates Maria Clementina Sobieska (1702-35), the wife of James Stuart, also known as the Old Pretender. With intricate details and meticulous craftsmanship, Barigioni captures her regal presence through a stunning portrait on a sarcophagus adorned with angels and cherubs. The composition is enhanced by various elements such as columns, crowns, and porphyry stones that add depth and symbolism to this masterpiece. The angelic figures surrounding the monument exude an ethereal aura while paying homage to Maria Clementina's virtuous spirit. Through this photograph, we are transported into the heart of Rome's artistic heritage. It allows us to appreciate not only Barigioni's skillful execution but also the historical significance of this memorial dedicated to a woman who played an important role during her time. With its timeless elegance and rich cultural context, this image invites viewers to delve into centuries-old narratives woven within every stroke of marble. As we gaze upon it, we can't help but marvel at how art has preserved history for generations to come.
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