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Premium Framed Print : The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January
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The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January
CWA97284 The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January and 3rd March 1824, or The Three Crownings, printed by Charles Hullmandel (1789-1850), 1824 (engraving) by Pistrucci, Filippo (19th century) (after); City of Westminster Archive Centre, London, UK; eWestminister Archives; Italian, out of copyright
Media ID 23369050
© Westminister Archives / Bridgeman Images
Barber Of Seville Britannia Commemorating Coronation Debut Garlands Gioacchino Rossini Personification Of Great Britain Piano 1780 1845
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the grandeur of The Theatre Royal of Italian Opera in London during its most glorious era. On the 24th of January and 3rd of March in 1824, this iconic venue witnessed a momentous occasion known as "The Three Crownings". Printed by Charles Hullmandel, this engraving by Filippo Pistrucci beautifully captures the essence of that historic night. The image showcases an array of remarkable elements that make it truly mesmerizing. From the regal presence of Britannia personified to the celestial angels hovering above, every detail exudes elegance and enchantment. The focal point is none other than Madame Angelica Catalani herself, a renowned singer whose debut at this very theater was celebrated with great fanfare. Her talent and charisma are palpable as she stands amidst garlands and flowers, basking in her well-deserved glory. Notably, this event also commemorates Gioacchino Rossini's masterpiece "Barber of Seville" which further solidifies its significance in musical history. As we gaze upon this print, we can almost hear the harmonious melodies resonating from the piano on stage. This print serves as a testament to the enduring legacy left behind by these extraordinary artists who graced The Theatre Royal of Italian Opera. It transports us back to a time when music reigned supreme and reminds us why these cultural landmarks hold such importance even today.
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