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Premium Framed Print : The Life Class, 1917 (litho)
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The Life Class, 1917 (litho)
874624 The Life Class, 1917 (litho) by Bellows, George Wesley (1882-1925); 35.08 x48.74 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Museum purchase; American, out of copyright
Media ID 22737206
© San Diego Museum of Art Museum purchase / Bridgeman Images
First Stone Life Class Model Models Painters Studios
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Life Class, 1917
EDITORS COMMENTS
is a captivating lithograph by George Wesley Bellows that offers a glimpse into the world of artists and models in early 20th century America. The print, measuring 35.08 x 48.74 cm, is housed at the San Diego Museum of Art. In this intriguing scene, we find ourselves inside an art studio where a life class is taking place. The room is filled with painters passionately capturing the human form on their canvases. Nude models pose gracefully and confidently as they become subjects for these aspiring artists. Bellows skillfully captures the essence of this intimate setting through his masterful use of light and shadow. His attention to detail brings out the textures of the artist's tools and materials scattered around the studio. The lithograph not only showcases Bellows' artistic prowess but also serves as a tribute to the timeless tradition of life drawing classes in art education. It highlights how artists have long relied on studying nude figures to hone their skills in capturing human anatomy and expression. "The Life Class, 1917" invites viewers to reflect on both the vulnerability and strength displayed by both painter and model alike. It reminds us that behind every work of art lies countless hours dedicated to perfecting one's craft – an enduring testament to the power of artistic creation throughout history.
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