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Premium Framed Print : Sir Thomas Wrightson, Tariff Reform, 6 May 1908, Vanity Fair cartoon (colour litho)
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Sir Thomas Wrightson, Tariff Reform, 6 May 1908, Vanity Fair cartoon (colour litho)
611697 Sir Thomas Wrightson, Tariff Reform, 6 May 1908, Vanity Fair cartoon (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Sir Thomas Wrightson, Tariff Reform, 6 May 1908, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 23544774
© Look and Learn / Peter Jackson Collection / Bridgeman Images
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this vibrant and satirical cartoon print, Sir Thomas Wrightson takes center stage as the subject of Vanity Fair's scathing satire. Created by Leslie Matthew Ward, also known as Spy, this colour lithograph captures the essence of political commentary in early 20th century Britain. Depicted with exaggerated features and a mischievous grin, Sir Thomas Wrightson becomes a caricature of himself. The artist skillfully uses humor to highlight his subject's stance on tariff reform, which was a hotly debated topic during that time. The cartoon is filled with symbolism and subtle jabs at Wrightson's political beliefs. His prominent top hat adorned with "Tariff Reform" serves as a visual representation of his advocacy for protectionist policies. Meanwhile, the background showcases various scenes depicting the consequences of such reforms - from struggling workers to soaring prices. This piece not only reflects the artistic talent of Ward but also provides insight into the socio-political climate of 1908. It demonstrates how cartoons were used as powerful tools to convey messages and influence public opinion. Today, this print stands as an important historical artifact that sheds light on one man's controversial views and invites viewers to reflect upon their own understanding of economic policies.
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