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Premium Framed Print : The Partian Shot, illustration from The Kaisers Garland by Edmund J. Sullivan, pub
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The Partian Shot, illustration from The Kaisers Garland by Edmund J. Sullivan, pub
779929 The Partian Shot, illustration from The Kaisers Garland by Edmund J. Sullivan, pub. 1916 (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22227228
© The Stapleton Collection / Bridgeman Images
Kaiser Wilhelm Ii 1914 1918 Wwi Ww One First World War 1914 1918 Great War Monster Prussia Prussian
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> World War I and II
> World War I
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> World War I and II
> World War II
> Historic
> World War I and II
The Partian Shot
EDITORS COMMENTS
is a captivating illustration captured by Edmund J. Sullivan in 1916, as part of "The Kaiser's Garland". This lithograph print, now housed in a private collection, transports us back to the tumultuous era of World War I. In this satirical and thought-provoking artwork, Sullivan skillfully depicts the German Emperor Wilhelm II as a monstrous figure. The Prussian leader is portrayed with exaggerated features and surrounded by angels, symbolizing his belief in divine right and superiority. However, instead of emanating benevolence or power, these heavenly beings appear distressed and disillusioned. Sullivan's caricature serves as biting commentary on the devastating consequences of war. Through his artistic lens, he exposes the destructive nature of Germany's militaristic ambitions during this global conflict. The image captures not only the physical destruction caused by warfare but also highlights its impact on humanity's moral fabric. As we gaze upon this engraving from our vantage point in the twenty-first century, it serves as a reminder of how art can transcend time and continue to provoke reflection on historical events. "The Partian Shot" invites us to contemplate the complexities of power dynamics during times of war while urging us to question authority figures who may exploit their positions for personal gain. This remarkable piece encapsulates both the artist's talent and his commitment to social critique through visual storytelling—a testament to Sullivan's enduring legacy within twentieth-century art history.
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