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Premium Framed Print : Exhibition of Water Coloured Drawings, Old Bond Street, plate 34
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Exhibition of Water Coloured Drawings, Old Bond Street, plate 34
XYC258624 Exhibition of Water Coloured Drawings, Old Bond Street, plate 34, from Ackermanns Microcosm of London, or, London in Miniature, published by Rudolph Ackermann (1764-1834) engraved by Joseph Constantine Stadler (fl.1780-1812) 1808 (hand-coloured aquatint) by Rowlandson, T. (1756-1827) & Pugin, A.C. (1762-1832) (after); 23.3x27.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 22659682
© Bridgeman Images
Auction Display Gallery Tricorn Hat Viewing Watercolours
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment in time at the "Exhibition of Water Coloured Drawings" held on Old Bond Street. Plate 34 from Ackermann's Microcosm of London, this exquisite hand-coloured aquatint engraving showcases the artistic talents of Thomas Rowlandson and Augustus Charles Pugin. Stepping into the picture, one is transported to a bustling interior filled with vibrant watercolours adorning the walls. The atmosphere is alive with excitement as society members don their elegant attire and tricorn hats while perusing the displayed artworks. Art dealers engage in animated conversations, discussing brushstrokes and compositions. The gallery space itself exudes sophistication, with its ornate architecture and carefully curated collection of landscapes and paintings. Each piece tells its own story, inviting viewers to immerse themselves in scenes that range from tranquil countryside vistas to dramatic seascapes. In this snapshot of Georgian society, we witness not only an appreciation for art but also a glimpse into the thriving auction culture that surrounded these exhibitions. Collectors eagerly examine each artwork, contemplating potential bids and adding to their private collections. Preserved by Bridgeman Images and housed at Yale Center for British Art's Paul Mellon Collection in the USA, this historic print allows us to relish in both the beauty of these watercolours as well as gain insight into an era where art was revered as an essential part of cultural life.
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