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Premium Framed Print : The Prisoner, 1861 (oil on panel)
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The Prisoner, 1861 (oil on panel)
XIR88476 The Prisoner, 1861 (oil on panel) by Gerome, Jean Leon (1824-1904); 45x78 cm; Musee des Beaux-Arts, Nantes, France; French, out of copyright
Media ID 12943042
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Guard Minstrel Orientalist Rowing Sunset
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
The Prisoner, 1861
EDITORS COMMENTS
is a captivating oil painting by Jean Leon Gerome that transports viewers to a serene riverside scene at sunset. Measuring 45x78 cm, this artwork can be found in the Musee des Beaux-Arts in Nantes, France. The image showcases a solitary figure rowing a small boat along the tranquil river, bathed in the warm glow of the setting sun. Gerome's attention to detail is evident as he skillfully captures the play of light and shadow on both the water and surrounding landscape. The composition exudes an air of mystery and intrigue, with an orientalist touch that adds depth to the narrative. At first glance, one might assume that this lone figure is simply enjoying an evening row on the river. However, upon closer inspection, we notice another character standing guard nearby – perhaps suggesting that our protagonist may actually be a prisoner attempting to escape under cover of darkness. The juxtaposition between freedom and confinement creates tension within the painting and leaves us questioning what led to this moment captured by Gerome's brushstrokes. Is it a tale of forbidden love or political unrest? Or does it symbolize something more metaphorical about human nature? Regardless of its interpretation, "The Prisoner" invites us into its world through its evocative depiction of nature's beauty and man's struggle for liberation. It serves as a timeless reminder that even amidst tranquility lies hidden stories waiting to be discovered.
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