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Premium Framed Print : Portrait of the Rev. Thomas Levett and Favourite Dogs, Cock-Shooting, 1811 (oil
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Portrait of the Rev. Thomas Levett and Favourite Dogs, Cock-Shooting, 1811 (oil
XYC158047 Portrait of the Rev. Thomas Levett and Favourite Dogs, Cock-Shooting, 1811 (oil on canvas) by Ward, James (1769-1859); 71.4x91.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12732588
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14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Portrait of the Rev. Thomas Levett and Favourite Dogs, Cock-Shooting, 1811
EDITORS COMMENTS
. This oil painting by James Ward showcases a remarkable moment in history. In this portrait, we see the distinguished figure of Reverend Thomas Levett accompanied by his beloved dogs during a cock-shooting expedition in 1811. The composition exudes an air of elegance and rural charm as Levett stands tall amidst a picturesque woodland backdrop. His confident stance is accentuated by the presence of his loyal canine companions who eagerly await their master's next move. Ward's meticulous attention to detail allows us to appreciate not only the intricate brushwork but also the various elements that make up this scene. The reverend holds a rifle firmly in hand, symbolizing both his love for hunting and his connection with nature. As we delve deeper into this artwork, it becomes apparent that it captures more than just a sporting event; it encapsulates an entire era. The Georgian countryside setting transports us back to a time when such outdoor pursuits were cherished pastimes among English gentlemen. This print from Yale Center for British Art's Paul Mellon Collection serves as a testament to our enduring fascination with art that celebrates man's relationship with animals and nature itself. It invites viewers to immerse themselves in the beauty of tradition while appreciating the skillful craftsmanship behind its creation.
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