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Premium Framed Print : "Following the Fashion: St. Jamess giving the Ton, a Soul without a Body
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"Following the Fashion: St. Jamess giving the Ton, a Soul without a Body
NCO89961 " Following the Fashion: St. Jamess giving the Ton, a Soul without a Body, Cheapside aping the Mode, a Body without a Soul", pub. by Hannah Humphrey, 1794 (engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 22384048
© Bridgeman Images
Business Contrast Empire Line Exaggerated Ostrich Feathers Ridiculous Thin
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Following the Fashion - St. James's giving the Ton, a Soul without a Body
EDITORS COMMENTS
. This print captures an engraving by James Gillray from 1794, titled "Following the Fashion: St. James's giving the Ton, a Soul without a Body". The image is courtesy of the Warden and Scholars of New College, Oxford. In this satirical artwork, Gillray skillfully portrays the stark contrast between two distinct social classes in English society during that era. On one side stands the fat and ridiculous aristocracy adorned with extravagant empire line dresses and ostentatious ostrich feathers. Their exaggerated appearance symbolizes their wealth and privilege but also highlights their detachment from reality. On the other side of this class conflict lies Cheapside, where business thrives amidst thin victims of societal inequality. Here we witness individuals aping fashion trends to fit into high society while lacking any genuine substance or soul behind their attire. Gillray's engraving serves as both a critique and commentary on societal norms prevalent at that time. It exposes how appearances can deceive and emphasizes the disparity between those who possess power and influence versus those struggling to survive within an unjust system. As we delve into this thought-provoking piece captured beautifully by Bridgeman Images' Fine Art Finder collection, we are reminded of how art has always played a vital role in reflecting upon our society's flaws while challenging us to question prevailing ideologies.
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