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Premium Framed Print : New and Old Hotwell Houses with the latter in process of demolition
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New and Old Hotwell Houses with the latter in process of demolition
2832433 New and Old Hotwell Houses with the latter in process of demolition, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 22990450
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Bristol Demolition Renovation Urban Planning Regency
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the stark contrast between old and new in the Hotwell Houses of Bristol, England. The image showcases two distinct architectural styles side by side, with one house standing proudly while the other is in the midst of demolition. Painted by Hugh O'Neill in 1821, this pencil and watercolor masterpiece offers a glimpse into a moment of urban transformation. The scene depicts a town caught between tradition and progress, as construction workers diligently work to make way for modernity. The dilapidated house being torn down symbolizes the passing of time and the inevitable march towards change. Meanwhile, its neighboring structure stands tall, showcasing classic British design elements that have stood strong for generations. This painting not only portrays an intriguing street scene but also serves as a reflection on urban planning during the Regency era. It invites viewers to contemplate how cities evolve over time and how decisions regarding renovation and demolition shape their identity. Preserved within Bristol Museum and Art Gallery's collection since 1908, this artwork is now available through eBristol Museums, Galleries & Archives for all to appreciate. As we gaze upon this remarkable piece from O'Neill's brushstrokes, we are reminded of both the beauty found in historical architecture and the necessity for progress in our ever-changing world.
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