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Premium Framed Print : L Odalisque Couchee, 1825 (litho & carbon ink on paper)
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L Odalisque Couchee, 1825 (litho & carbon ink on paper)
FIT277187 L Odalisque Couchee, 1825 (litho & carbon ink on paper) by Ingres, Jean Auguste Dominique (1780-1867); 20.0x28.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright
Media ID 22949804
© Fitzwilliam Museum / Bridgeman Images
Couch Lying Model Posterior Rear View Reclining Sofa
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 30.4cm x 20.3cm (12" x 8")
Estimated Product Size is 45.8cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Jean Auguste Dominique Ingres' masterpiece, "L Odalisque Couchee" created in 1825. The litho and carbon ink on paper technique beautifully captures the intricate details of this French artwork. Measuring 20.0x28.6 cm, it is housed in the prestigious Fitzwilliam Museum at the University of Cambridge, UK. The photograph depicts a reclining female nude model lying gracefully on a sofa, her back turned towards us. Ingres masterfully portrays her sensuality through his meticulous attention to detail and skillful use of light and shadow. The model's curvaceous figure is accentuated by her pose, drawing our gaze to her alluring posterior. A striking element of the composition is the turban adorning the model's head, adding an exotic touch to this classical scene. This juxtaposition between Western artistry and Eastern influences adds depth to Ingres' portrayal of beauty. The absence of color allows us to focus solely on form and texture while emphasizing the timeless quality of this artwork. Through this photo print, we are invited into a world where nudity becomes art; where vulnerability meets strength; where beauty transcends time. As we admire this remarkable piece captured by Bridgeman Images for eFitzwilliam Museum, let us appreciate its historical significance as well as its enduring ability to evoke emotions within us today.
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