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Premium Framed Print : Orientalism: "The toilet"A young white woman assisted by her two
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Orientalism: "The toilet"A young white woman assisted by her two
JLJ4676359 Orientalism: " The toilet" A young white woman assisted by her two maidens has her toilet. Painting by Frederic Bazille (1841-1870) 1869 Sun. 1, 32x1, 27 m Montpellier, Musee Fabre by Adams, John Clayton (1840-1906); Musee Fabre, Montpellier, France; (add.info.: Orientalism: " The toilet" A young white woman assisted by her two maidens has her toilet. Painting by Frederic Bazille (1841-1870) 1869 Sun. 1, 32x1, 27 m Montpellier, Musee Fabre); Photo ePhoto Josse; English, out of copyright
Media ID 23718684
© Josse / Bridgeman Images
Bondman Coquetry Enslavement Femininity Footwear Naked Woman Orientalism Toilet
16"x16" Premium Frame
Contemporary style Premium Wooden Frame with 10"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 40.6cm x 40.6cm (16" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "Orientalism: The Toilet" we are transported to a scene of elegance and femininity. Painted by Frederic Bazille in 1869, the artwork depicts a young white woman being attended to by her two maidens during her toilette. The composition is rich with symbolism and cultural references. The woman, dressed in an exquisite costume, exudes grace and sophistication. Her maids, adorned in traditional attire, assist her with utmost care and devotion. The painting reflects the fascination of French artists during that time with Orientalism - a romanticized depiction of Middle Eastern culture. Bazille's attention to detail is evident as he captures every nuance - from the delicate fur she wears to the intricate footwear she adorns. The artist skillfully portrays both vulnerability and strength through his portrayal of nudity juxtaposed against the power dynamics between mistress and servant. This thought-provoking piece invites us to contemplate themes such as femininity, coquetry, enslavement, and domesticity within historical context. It serves as a reminder of how art can transcend time and capture moments that provoke reflection even centuries later. Displayed at Montpellier's Musee Fabre, this photograph allows us to appreciate Bazille's mastery while also highlighting the importance of preserving artistic heritage for future generations to admire.
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