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Premium Framed Print : Charles Compton, 7th Earl of Northampton (1737-63) 1758 (oil on canvas)
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Charles Compton, 7th Earl of Northampton (1737-63) 1758 (oil on canvas)
FIT62518 Charles Compton, 7th Earl of Northampton (1737-63) 1758 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 237.7x149.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian, out of copyright
Media ID 22597984
© Fitzwilliam Museum / Bridgeman Images
Fur Trimmed Cloak Grand Tour Peer Plinth Whippet
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait captures the elegance and grandeur of Charles Compton, the 7th Earl of Northampton. Painted in 1758 by Pompeo Girolamo Batoni, this oil on canvas masterpiece showcases the aristocratic charm and sophistication that defined the society of that era. Standing tall and proud, Lord Northampton is depicted in full length, exuding an air of authority and nobility. His fur-trimmed cloak adds a touch of opulence to his attire, while his regal pose commands attention. The artist skillfully portrays every intricate detail, from the delicate features on Lord Northampton's face to the fine fabric textures. The presence of a whippet at Lord Northampton's side symbolizes both his love for animals and his status as a member of high society. Placed upon a plinth, he stands as if ready to address those around him with grace and dignity. This painting not only serves as a testament to Lord Northampton's position within aristocracy but also reflects the influence of Italian art during that period. It was likely created during Lord Northampton's Grand Tour - a traditional journey undertaken by young men from noble families to complete their education through exposure to European culture. Now housed at Fitzwilliam Museum in Cambridge, UK, this artwork continues to captivate viewers with its timeless beauty and historical significance.
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