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Premium Framed Print : Wits last stake or the cobling voters and abject canvassers (engraving)
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Wits last stake or the cobling voters and abject canvassers (engraving)
983784 Wits last stake or the cobling voters and abject canvassers (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Wits last stake or the cobling voters and abject canvassers, a canvassing scene in a poor district of Westminster. After Thomas Rowlandson, 1784.); Look and Learn / Peter Jackson Collection
Media ID 23526136
© Look and Learn / Peter Jackson Collection / Bridgeman Images
Canvassing Cobblers Duchess Of Devonshire Election Electioneering Elections General Election Stake Voter Voters Abject Canvassers Caricatures
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Wit's Last Stake or the Cobling Voters and Abject Canvassers
EDITORS COMMENTS
is a captivating engraving by Thomas Rowlandson that takes us back to the political scene of 18th-century Westminster. This satirical artwork, now part of a private collection, offers a humorous yet thought-provoking glimpse into the world of elections and canvassing during that era. The print showcases a bustling street in a poor district, where caricatures of both men and women engage in various electioneering activities. The artist skillfully captures the poverty-stricken surroundings as well as the distinct fashions and clothing styles prevalent at the time. Rowlandson's sharp wit shines through as he portrays cobblers-turned-voters alongside abject canvassers desperately vying for their support. The scene is filled with irony and social commentary on the nature of elections, highlighting how even those living in poverty are not immune to political manipulation. This engraving serves as an intriguing historical document, shedding light on the general election practices of yesteryears while also showcasing Rowlandson's talent for satire. It invites viewers to reflect on how electoral campaigns have evolved over time while reminding us that humor can be an effective tool for critiquing societal norms. As we observe this fascinating piece from Bridgeman Images' Fine Art Finder collection, we are transported to another era where politics intersected with everyday life in unexpected ways.
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