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Premium Framed Print : Saint Dunstan (engraving)
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Saint Dunstan (engraving)
976406 Saint Dunstan (engraving) by English School, (18th century); Private Collection; (add.info.: Saint Dunstan. Illustration for The Chronicle of England by Joseph Strutt (Thomas Jones, 1778).); © Look and Learn
Media ID 22492240
© Look and Learn / Bridgeman Images
Archbishop Of Canterbury Bishop Of Winchester Bishop Of Worcester Oswald Pre Norman Saint Dunstan
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving of Saint Dunstan takes us back to 18th century England, offering a glimpse into the rich historical tapestry of the nation. The intricate details and skilled craftsmanship showcased in this print transport us to a time when Saint Dunstan was an influential figure as the Archbishop of Canterbury. Saint Dunstan's significance is emphasized by his portrayal in this artwork, which captures his pre-Norman era and highlights his role as Bishop of Worcester and later Bishop of Winchester. His contributions to English history are profound, shaping early Britain with his religious leadership and dedication. The artist's attention to detail allows us to appreciate not only Saint Dunstan himself but also the cultural context surrounding him. From the Cotton Library mentioned in the caption, we can infer that this engraving draws inspiration from historical manuscripts or chronicles. As we explore further, it becomes evident that Saint Dunstan's influence extended beyond England; he had connections with figures such as Ethelwald and Oswald from Germany. This interweaving of European history underscores how interconnected nations were even centuries ago. In essence, this print encapsulates both British heritage and wider European influences during Saint Dunstan's time. It serves as a reminder of our shared pasts while celebrating the unique cultural identity that has shaped Great Britain throughout its history.
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