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Premium Framed Print : Interior of Her Majestys Theatre, close of the season of 1841 - Farewell Mlle Rachel
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Interior of Her Majestys Theatre, close of the season of 1841 - Farewell Mlle Rachel
SC33679 Interior of Her Majestys Theatre, close of the season of 1841 - Farewell Mlle Rachel (colour litho) by Lami, Eugene-Louis (1800-90); Victoria & Albert Museum, London, UK; (add.info.: Elisa Rachel Felix (1821-58); Mademoiselle Rachel was a very celebrated French tragic actress; her appearance in London in 1841 was a great success; ); French, out of copyright
Media ID 22602840
© Bridgeman Images
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Capturing the Grandeur - A Fond Farewell to Mlle Rachel at Her Majesty's Theatre
EDITORS COMMENTS
. This photo print, titled "Interior of Her Majestys Theatre, close of the season of 1841 - Farewell Mlle Rachel" transports us back in time to a momentous occasion in London's cultural history. The image, a vivid colour lithograph by Eugene-Louis Lami, showcases the opulent interior of Her Majesty's Theatre as it bids adieu to the renowned French tragic actress, Mademoiselle Rachel. Intriguingly framed within this visual masterpiece is Elisa Rachel Felix herself, radiant and commanding on stage. With her exceptional talent and magnetic presence, she captivated audiences during her highly successful London debut in 1841. This farewell performance marked the end of an extraordinary season that had left an indelible mark on both British theatre-goers and critics alike. The grandeur and elegance depicted within this scene are awe-inspiring; every intricate detail meticulously preserved for posterity. From the ornate chandeliers casting a warm glow upon the audience below to the sumptuous velvet drapes adorning each box seat – it is evident that no expense was spared in creating an atmosphere befitting such theatrical brilliance. As we gaze upon this remarkable print from our vantage point today, we cannot help but feel a sense of nostalgia for a bygone era when live performances were truly transformative experiences. It serves as a poignant reminder that art has
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