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Premium Framed Print : Sophie d Houdetot, from Masters of the XVIII Century French Sensibility
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Sophie d Houdetot, from Masters of the XVIII Century French Sensibility
KW403234 Sophie d Houdetot, from Masters of the XVIII Century French Sensibility by Pierre Trahard (engraving) by French School; Private Collection; (add.info.: Sophie d Houdetot (1730-1813) French aristocrat; Jean-Jacques Rousseau (1712-78) Genevan Romantic philosopher and writer; d Houdetot visited Rousseau in 1757 dressed as a man, marking the beginning of their brief love affair; ); Photo eKen Welsh; French, out of copyright.
possible copyright restrictions apply, consult national copyright laws
Media ID 18255993
© Private Collection / Photo Ken Welsh / Bridgeman Images
Clandestine Cross Dressing Disguise Lover Secret Surprised Tranny Transvestite Lovers
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the enigmatic Sophie d Houdetot, an 18th-century French aristocrat, in all her glory. The image is a reproduction of Pierre Trahard's exquisite engraving from the collection "Masters of the XVIII Century French Sensibility". Sophie d Houdetot was not just any aristocrat; she had a fascinating connection with Jean-Jacques Rousseau, the renowned Genevan Romantic philosopher and writer. In 1757, she made history by visiting Rousseau disguised as a man, marking the beginning of their clandestine love affair. In this photograph, we see Sophie standing confidently in what appears to be a study or library. Her posture exudes elegance and poise as she gazes into the distance. It is clear that this meeting between lovers is shrouded in secrecy and surprise. The composition beautifully captures both Sophie's femininity and her audacious act of cross-dressing. The juxtaposition of her seated lover dressed as a man adds depth to their story and highlights the complexities of their relationship. As we delve into this historical moment frozen in time, we are transported back to an era filled with romance and intrigue. This photograph serves as a reminder that love knows no boundaries – not even those imposed by societal norms or gender roles.
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