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Premium Framed Print : L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1
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L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1
ICA4875628 L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1 by Couturier, Edouard (1869-1935); (add.info.: healthy title - Anticlericalism - Cupidite/Avarice, Eg with reactionaries, Eg opposed to the people - Worker, Military, Bailiff, Cures, Soldiers - Illustration by Couturier (1869-1935)); Photo © Caricadoc
Media ID 25900264
© Caricadoc / Bridgeman Images
Abuse Anticlericalism Bailiff Charity Cupidite Force Gendarme Persecution Quest Caricadoc Imam Justice Laborer Religious Role
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Popular Themes
> Money
> Popular Themes
> Religious Images
EDITORS COMMENTS
The print titled "L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1" captures a powerful and thought-provoking image that reflects the social and political climate of early 20th century France. Created by Edouard Couturier, this illustration from the satirical magazine showcases a healthy dose of anticlericalism. In this intricate engraving, we witness a clash between different societal factions. On one side stands the clergy represented by priests and religious figures from various faiths such as imams and clergymen. They are accompanied by soldiers who seem to be enforcing their authority through violence and force. On the other side are workers, laborers, and ordinary people who appear oppressed under their rule. The central theme revolves around greed or cupidité/avarice as depicted by gold coins symbolizing money and charity being withheld from those in need. The image highlights the abuse of power within religious orders while questioning their true intentions. This artwork serves as a scathing critique on religion's role in society during that time period. It sheds light on issues like persecution, injustice, and exploitation faced by common people at the hands of those in positions of authority. As we delve into this photograph print captured beautifully by Caricadoc for Fine Art Finder with Bridgeman Images' collection, it invites us to reflect upon historical events while drawing parallels to contemporary struggles against oppression and inequality.
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