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Premium Framed Print : Pilate shews our Saviour to the People saying Ecce homo (engraving)
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Pilate shews our Saviour to the People saying Ecce homo (engraving)
2791977 Pilate shews our Saviour to the People saying Ecce homo (engraving) by English School, (18th century); Private Collection; (add.info.: Pilate shews our Saviour to the People saying Ecce homo. Illustration for The History of the Old and New Testament translated from De Royaumont (2nd edn, 1701).); © Look and Learn
Media ID 23134112
© Look and Learn / Bridgeman Images
Homo Pilate Pontius Pilate Saviour Ecce Hebrew Bible Psalms The Books Of The Bible
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This engraving, titled "Pilate shews our Saviour to the People saying Ecce homo" takes us back in time to witness a pivotal moment in biblical history. Created by an anonymous English artist during the 18th century, this print showcases Pontius Pilate presenting Jesus Christ to the crowd with the famous words "Ecce homo" or "Behold the man". The scene is filled with tension and emotion as onlookers gather around, their expressions ranging from curiosity to disbelief. Pilate's gesture seems almost hesitant, his role as judge conflicting with his own doubts about Jesus' guilt. Meanwhile, Jesus stands before them all, embodying both vulnerability and strength. This engraving was originally commissioned for The History of the Old and New Testament translated from De Royaumont in 1701. It serves as a visual representation of one of Christianity's most significant moments – when Jesus faced public judgment before his crucifixion. As we gaze upon this powerful image today, it reminds us not only of religious significance but also prompts reflection on themes such as justice, faith, and human nature. The intricate details captured by the skilled artist transport us into this historical event while leaving room for personal interpretation. With its rich symbolism and artistic mastery, this print continues to captivate viewers across generations. Its presence within private collections ensures that its profound message endures through time—a testament to both its artistic merit and enduring spiritual impact.
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