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Caricature against Saint-Simonianism

5669839 Caricature against Saint-Simonianism; (add.info.: Caricature against Saint-Simonianism, 1830, by Henry-Rene D'Allemagne. Saint-Simonianism was a French political and social movement of the first half of the 19th century, inspired by the ideas of Claude comte de Saint-Simon (1760-1825). Saint-Simon's ideas focused on the perception that growth in industrialization and scientific discovery would have profound changes on society, on the basis of "true equality". circa 1850.); Universal History Archive/UIG

Media ID 38286614

© Universal History Archive/UIG / Bridgeman Images

1830s Industrialization Saint Simon Scientific Discovery

14"x16" Premium Frame

Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")

Estimated Product Size is 40.6cm x 35.6cm (16" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

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EDITORS COMMENTS
This intriguing print captures a caricature against Saint-Simonianism, a French political and social movement of the early 19th century. Created by Henry-Rene D'Allemagne in 1830, this satirical image reflects the tensions surrounding Saint-Simon's ideas about industrialization, scientific discovery, and "true equality." Saint-Simonianism was inspired by the visionary concepts of Claude comte de Saint-Simon, who believed that advancements in technology and industry would lead to a more equitable society. The movement sought to challenge traditional power structures and promote social progress through cooperation and innovation. In this caricature, we see the complexities of these ideals being mocked or criticized. The artist uses humor and exaggeration to highlight the perceived flaws or contradictions within Saint-Simonianism. Through clever visual storytelling, D'Allemagne invites viewers to question the implications of rapid industrialization on society and whether true equality can be achieved through technological advancement alone. As we gaze upon this historical artifact from the 1830s, we are reminded of the ongoing debates surrounding progress, social justice, and human nature. This print serves as a window into a pivotal moment in European history when ideas clashed and new possibilities emerged.

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