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Premium Framed Print : Going to the Hayfield, 1853 (oil on millboard)
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Going to the Hayfield, 1853 (oil on millboard)
XYC165932 Going to the Hayfield, 1853 (oil on millboard) by Cox, David (1783-1859); 25.5x33.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12735927
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14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Going to the Hayfield, 1853
EDITORS COMMENTS
captures a picturesque English countryside scene with remarkable attention to detail. Painted by David Cox in oil on millboard, this print showcases the artist's mastery in capturing the essence of rural life during the Victorian era. The composition depicts a group of farmers making their way towards a vast hayfield. The undulating landscape stretches as far as the eye can see, dotted with fluffy clouds and buffeted by a gentle wind. A sense of tranquility permeates through the image, evoking a peacefulness that is often associated with rural settings. In the foreground, two horses lead the way while their farmer guides them forward. A loyal dog accompanies them on their journey, faithfully trotting alongside his master. The presence of these animals adds an element of liveliness and companionship to an otherwise serene scene. As we observe this idyllic countryside moment frozen in time, one cannot help but appreciate Cox's meticulous brushwork and use of color. The vibrant greens of the fields contrast beautifully against darker hues used for shading and depth. This print from Yale Center for British Art's Paul Mellon Collection serves as a captivating window into Victorian peasant life and agricultural practices. It reminds us of simpler times when hard work was intertwined with nature's bounty – where harvesting hay was not just laborious but also an opportunity to connect with both land and community.
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