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Premium Framed Print : Ugolino and His Sons, 1865-67 (Saint-Beat marble)
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Ugolino and His Sons, 1865-67 (Saint-Beat marble)
3615937 Ugolino and His Sons, 1865-67 (Saint-Beat marble) by Carpeaux, Jean-Baptiste (1827-75); 197.5 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Pisan traitor Count Ugolino della Gherardesca, his sons Gaddo and Uguccione and grandsons Nino (surnamed " the Brigand" ) and Anselmuccio were imprisoned 1288 by the Ghibellines in the Muda tower and left to die of starvation.
Dantes Inferno canto XXXIII
)
Media ID 24711826
© Bridgeman Images
Captive Count Dante Desperation Divine Comedy Hunger Hungry Inferno Naturalism Naturalistic Nobleman Pain Pisa Prisoners Realism Realistic Romanticism Second Empire Sons Starvation Starving Suffering Bodies Della Gherardesca Nobles Pisan
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print captures the powerful and haunting sculpture of "Ugolino and His Sons" by Jean-Baptiste Carpeaux. Created in 1865-67, this masterpiece is made from Saint-Beat marble and is housed at the Metropolitan Museum of Art in New York. Depicting the tragic tale of Count Ugolino della Gherardesca, his sons Gaddo and Uguccione, along with his grandsons Nino and Anselmuccio, who were imprisoned by the Ghibellines in 1288. Left to starve to death in the Muda tower, their suffering echoes through time. Carpeaux's skillful carving brings forth a sense of realism and naturalism that intensifies the viewer's empathy for these captive men. The nakedness of their bodies symbolizes vulnerability while showcasing their noble stature. Their expressions reveal pain, desperation, and hunger as they face an agonizing fate. Inspired by Dante's Inferno canto XXXIII from "The Divine Comedy" this sculpture embodies themes of suffering and despair. Carpeaux's work combines elements of French Romanticism with Italian Renaissance influences to create a deeply emotional portrayal. This print allows us to appreciate both the artistic mastery behind this piece as well as its historical significance. It serves as a reminder of humanity's capacity for cruelty but also our ability to create art that immortalizes such profound stories.
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