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Premium Framed Print : Study for Ennui : Hubby and Marie, 1913- 1914
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Study for Ennui : Hubby and Marie, 1913- 1914
7125277 Study for Ennui : Hubby and Marie, 1913- 1914 (pen and brown ink over black chalk, with red ink, on pale brown paper) by Sickert, Walter Richard (1860-1942); 38 x 28 cm; Ashmolean Museum, University of Oxford, UK; Image eAshmolean Museum, University of Oxford; English, out of copyright
Media ID 24129810
© Ashmolean Museum, University of Oxford / Bridgeman Images
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Study for Ennui - Hubby and Marie, 1913-1914
EDITORS COMMENTS
is a captivating glimpse into the world of Walter Richard Sickert, a renowned artist of the early 20th century. This intriguing print captures a moment frozen in time, depicting a man and woman immersed in an atmosphere of ennui. Sickert's masterful use of pen and brown ink over black chalk, with hints of red ink on pale brown paper, adds depth and texture to this thought-provoking piece. The Ashmolean Museum at the University of Oxford proudly houses this artwork within its collection. The subjects in the image are Hubby and Marie - their names alone evoke curiosity about their relationship and circumstances. The woman exudes an air of femininity as she gazes off into the distance with a hint of melancholy. Meanwhile, her male counterpart appears contemplative yet detached, embodying elements of masculinity and virility. Through his skillful draughtsmanship, Sickert invites viewers to ponder upon themes such as boredom, introspection, and perhaps even existential questioning that permeated society during that era. This drawing serves as both an artistic expression and social commentary on the human condition. As we delve into this mesmerizing artwork by Walter Richard Sickert through Bridgeman Images' lens, we are transported back to a time when art was not only visually stunning but also deeply reflective. It reminds us that even amidst moments tinged with ennui or weariness, there exists
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