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Premium Framed Print : Catholic town in 1440 and the same town in 1840 (engraving)
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Catholic town in 1440 and the same town in 1840 (engraving)
XJF3058208 Catholic town in 1440 and the same town in 1840 (engraving) by Pugin, Augustus Welby (1812-52); Private Collection; (add.info.: In his book Contrasts : or a parallel between the noble edifices of the middle ages, and corresponding buildings of the present day; shewing the present decay of taste Pugin draws an unfavourable comparison between the harmony of the medieval Catholic town and the non-conformist industrial one. ); English, out of copyright
Media ID 12840555
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Chapel Contrast Contrasted Factories Guildhall Modern Monastery Revival Skyline Townscape Warehouses Workhouse
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the stark contrast between a Catholic town in 1440 and the same town in 1840. The engraving, created by Augustus Welby Pugin, takes us on a visual journey through time, revealing the evolution of architecture and society over four centuries. In his book Contrasts: or a parallel between the noble edifices of the middle ages, and corresponding buildings of the present day; showing the present decay of taste, Pugin presents an unfavorable comparison between these two periods. He highlights how medieval Catholic towns exuded harmony and beauty while criticizing non-conformist industrial towns for their lack thereof. The image captures an ancient skyline transformed by progress. In 1440, we see churches, monasteries, guildhalls, and towers dominating the landscape—a testament to religious devotion and communal spirit. Fast forward to 1840, where towering factories replace these sacred structures as symbols of industry's rise. Pugin's engraving invites contemplation on Victorian England's changing urban fabric—where warehouses stand alongside places of worship like chapels—and raises questions about societal values during this period. Through this artwork's contrasting elements—ancient versus modern architecture—we witness both continuity and rupture within British history. It serves as a reminder that our built environment reflects not only our technological advancements but also our cultural shifts. This historical gem from Fine Art Finder prompts us to reflect on how far we have come while urging us not to forget our roots amidst rapid progress.
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