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Premium Framed Print : Academy Poster for Claude Chabrols Just Before Nightfall (1971)
Framed Photos From British Film Institute
Academy Poster for Claude Chabrols Just Before Nightfall (1971)
Juste Avant La Nuit
AKA The Vice
Michel Bouquet
Stephane Audran
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 3614681
© Estate of Peter Strausfeld
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Academy Poster for Claude Chabrol's Just Before Nightfall (1971) - A Captivating Glimpse into the Depths of Human Desires
EDITORS COMMENTS
. This mesmerizing print showcases the Academy poster for Claude Chabrol's thought-provoking masterpiece, "Just Before Nightfall" (1971). With its striking visual composition and intriguing title, this artwork beckons viewers to delve into a world where darkness lurks beneath the surface. Chabrol, known as one of France's most influential filmmakers, skillfully weaves a tale that explores the complexities of human nature. The film revolves around Charles Masson (played by Michel Bouquet), an affluent businessman who finds himself entangled in a web of deceit and desire. Stephane Audran delivers a captivating performance as Hélène Masson, Charles' enigmatic wife whose secrets threaten to unravel their seemingly perfect life. The Academy poster captures the essence of this psychological thriller with its evocative imagery. Against a backdrop bathed in shadows, Bouquet and Audran stand at opposite ends, their gazes filled with tension and intrigue. This juxtaposition hints at the underlying power dynamics within their relationship while foreshadowing the impending darkness that looms ahead. As part of British Film Institute's collection, this print serves as both an artistic tribute to Chabrol's cinematic brilliance and an invitation for cinephiles to explore his oeuvre further. It encapsulates not only the film’s narrative but also its
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