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Premium Framed Print : John Bull 1948 1940s UK churches stained glass windows repairs repairing magazines
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John Bull 1948 1940s UK churches stained glass windows repairs repairing magazines
John Bull
1948
1940s
UK
churches stained glass windows repairs repairing magazines repairs mending
The Advertising Archives specialise in vintage illustrations including adverts, posters and magazine covers
Media ID 7083235
1940s British Covers Nineteen Forties Twentieth Century
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 25.4cm (8" x 10")
Estimated Product Size is 35.6cm x 40.6cm (14" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Animals
> Mammals
> Muridae
> Fortior
> Arts
> Literature
> Magazines
EDITORS COMMENTS
This print from The Advertising Archives takes us back to the 1940s in the United Kingdom, a time when churches were undergoing stained glass window repairs. Titled "John Bull 1948" this image captures the essence of an era marked by resilience and restoration. In this snapshot, we witness skilled craftsmen diligently mending intricate stained glass windows that had been damaged during World War II. Their meticulous work symbolizes not only the physical repair of these beautiful religious artifacts but also reflects the nation's determination to rebuild and restore its cultural heritage after years of conflict. The presence of magazines scattered around emphasizes how John Bull, a popular British publication at that time, played a role in documenting and promoting such restoration efforts. These magazines likely served as sources of inspiration for both artisans and churchgoers alike, showcasing stories of hope amidst adversity. As we gaze upon this historic scene through our modern lens, it serves as a reminder that even in times of turmoil, artistry and faith can unite communities. This photograph encapsulates a significant period in twentieth-century Britain when resilience prevailed over destruction – an enduring testament to human spirit and dedication to preserving history.
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