Poster Print : Traditional preacher vs radical
Poster Prints from Mary Evans Picture Library
Traditional preacher vs radical
Woodcut from a 17th century tract, " A Glasse for the Times, by which according to the Scriptures, you may clearly behold the true Ministers of Christ, how farre differing from false Teachers." The orthodox true minister is contrasted with the radical preacher, called a seducer and false prophet
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Media ID 4455589
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10406472
1640s 1648 Common Wealth False Minister Orthodox Preacher Preaching Prophet Radical Religions Satire Seducer Teachers Times Tract Unorthodox Wood Cut
18x24 inch Poster Print
"Step back in time with our captivating Traditional Preacher vs Radical poster print from Media Storehouse. This intriguing woodcut image is sourced from a 17th century tract, "A Glasse for the Times," available exclusively through Mary Evans Prints Online. This evocative print offers a fascinating glimpse into the past, juxtaposing the traditional image of a preacher with that of a radical. Add this unique piece to your home or office to spark conversation and ignite your curiosity. Embrace history and bring timeless stories to life with our carefully curated range of poster prints."
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
A Glasse for the Times - Behold the True Ministers of Christ and the Deceptive Ways of False Teachers
EDITORS COMMENTS
is a powerful woodcut from a 17th century tract that offers a stark contrast between the orthodox and radical preachers of the time. The image, created in the 1640s during a period of religious upheaval in England, serves as a satirical commentary on the growing divide between traditional and unorthodox religious beliefs. On the left side of the print, we see the orthodox minister, dressed in the traditional robes and holding a Bible. His expression is serious and contemplative, and he is surrounded by symbols of the Church, including a cross and a chalice. The caption beneath him reads, "The True Minister of Christ." On the right side of the print, we see the radical preacher, or seducer, dressed in tattered clothes and holding a book that appears to be open to a heretical text. His expression is wild-eyed and manic, and he is surrounded by symbols of chaos and disorder, including a burning church and a skull. The caption beneath him reads, "The False Prophet." The woodcut is a poignant reminder of the religious tensions that gripped England during the 1640s, a time when the Common Wealth period saw the rise of various unorthodox religious groups that challenged the authority of the established Church. The image serves as a warning against the dangers of false teachers and the importance of remaining true to the teachings of Christ. The print also reflects the growing use of visual imagery in religious propaganda during this period, as well as the increasing importance of literacy and the spread of printed materials. Overall, "A Glasse for the Times" is a fascinating glimpse into the religious and political climate of 17th century England and a reminder of the enduring power of visual storytelling.
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