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Poster Print : Ecce Homo. Tiziano Vecello, also called Titian (1490-1576)

Ecce Homo. Tiziano Vecello, also called Titian (1490-1576)




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Ecce Homo. Tiziano Vecello, also called Titian (1490-1576)

Tiziano Vecello, also called Titian (1490-1576). Ecce Homo. Jesus Christ presented scourged and bound. Renaissance art. Cinquecento. Oil on canvas

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Media ID 8259135

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10207946

1490 1576 Bound Called Christ Cinquecento Ecce Homo Jesus Renaissance Titian Tiziano Vecello Aisa Scourged


18x24 inch Poster Print

"Experience the timeless beauty of Renaissance art with our Media Storehouse Ecce Homo Poster Print. This exquisite reproduction showcases Tiziano Vecello, also known as Titian's (1490-1576) masterpiece, "Ecce Homo," available through Mary Evans Prints Online. Witness the powerful depiction of Jesus Christ presented scourged and bound in this iconic oil on canvas painting from the Cinquecento era. Bring the rich history and intricate details of this renowned work into your home or office space with our high-quality poster print. A must-have for art enthusiasts and collectors alike."

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > T > Titian

> Arts > Artists > Titian > Renaissance art

> Arts > Artists > Titian

> Historic > Renaissance art > Famous works of Titian > Italian Renaissance

> Historic > Renaissance art > Famous works of Titian > Renaissance art

> Historic > Renaissance art > Famous works of Titian

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art

> Renaissance art


Ecce Homo,

EDITORS COMMENTS
or "Behold the Man," is a renowned masterpiece by the legendary Venetian artist Tiziano Vecello, widely known as Titian (1490-1576). This exquisite oil on canvas painting, created during the Cinquecento period of the Renaissance, is a profound representation of the Christian narrative and a testament to Titian's unparalleled artistic skill. The composition portrays Jesus Christ, presented to the crowd by Pontius Pilate, after being scourged and bound. The image of a weary and suffering Christ, with his hands bound behind his back and a crown of thorns upon his brow, evokes a deep sense of empathy and compassion. The somber palette and the use of chiaroscuro, with its dramatic contrasts of light and shadow, further emphasize the emotional depth and intensity of the scene. Originally created for the monastery of San Francesco della Vigna in Venice, the Ecce Homo is now part of the prestigious collection at the Ashmolean Museum in Oxford, UK. This iconic work of art, with its rich history and religious significance, continues to captivate audiences and inspire artists, scholars, and devotees alike. The Ecce Homo is a poignant reminder of the Christian story, and a testament to the enduring power of art to evoke emotion, provoke thought, and connect people across time and cultures. Its intricate details, masterful use of color, and profound symbolism make it an essential piece of the artistic and historical tapestry of the Renaissance period and beyond.

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