Poster Print : Arthur James Balfour has hands cut off by Joseph Chamberlain
Poster Prints From Mary Evans Picture Library
Arthur James Balfour has hands cut off by Joseph Chamberlain
The Story of the Pushful One (cont.). Arthur James Balfour, 1st Earl Balfour (1848-1930) - Prime Minister (1902-05) has his hands cut off by Pushful Joe Joseph Chamberlain (1836-1914). Date: 1899
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 11585075
© Mary Evans / Grenville Collins Postcard Collection
1899 Arthur Balfour Carruthers Chamberlain Clippers Francis Gould Hands Lampoon Minister Politicians Prime Scissors Snapped Struwwelpeter
18x24 inch Poster Print
Introducing the latest addition to our Media Storehouse range of historic poster prints: "Arthur James Balfour has hands cut off by Joseph Chamberlain." This intriguing image, sourced from Mary Evans Prints Online, captures a pivotal moment in British political history. Dating back to 1899, this satirical poster depicts Arthur James Balfour, 1st Earl Balfour (1848-1930), then Prime Minister (1902-05), being confronted by the formidable Joseph Chamberlain (1836-1914). Known as "Pushful Joe," Chamberlain is shown forcefully cutting off Balfour's hands, symbolizing the power struggle and political tension between the two influential figures. Add this unique and captivating piece to your collection and bring a piece of history into your home or office. Order now and relive the story of the pushful one.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 43.6cm x 61.5cm (17.2" x 24.2")
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This intriguing political cartoon, titled "The Story of the Pushful One (cont.): Arthur James Balfour, 1st Earl Balfour (1848-1930) - Prime Minister (1902-05) has his hands cut off by Pushful Joe Joseph Chamberlain (1836-1914)," is a satirical work by the renowned caricaturist Francis Carruthers Gould. Dated 1899, this cartoon depicts a pivotal moment in British political history, with two of the most influential figures of the time, Arthur James Balfour and Joseph Chamberlain, locked in a contentious power struggle. Balfour, portrayed as a helpless figure, is shown with his hands severed at the wrists, symbolizing the loss of his political power. The perpetrator of this act is none other than Joseph Chamberlain, known as "Pushful Joe," who wields a pair of oversized scissors in a triumphant pose. This image reflects the intense rivalry between the two politicians, with Chamberlain's aggressive tactics and Balfour's perceived weakness leading to the former's perceived dominance. The cartoon is reminiscent of the classic children's rhyme "Struwwelpeter," with its exaggerated and grotesque imagery. The use of caricature and satire in this work highlights the political climate of the time, where power struggles and personal attacks were commonplace. This historical cartoon provides a fascinating glimpse into the world of British politics during the late 19th century and the complex dynamics between its key players. Francis Carruthers Gould's masterful use of visual storytelling in this cartoon continues to captivate audiences today, offering valuable insights into the political landscape of the past and the enduring power of satire as a means of commenting on contemporary issues.
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