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Poster Print : Queen Mary at the instance of Simon Renard affiancing herself to Philip of Spain, 1840. Artist: George Cruikshank
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Queen Mary at the instance of Simon Renard affiancing herself to Philip of Spain, 1840. Artist: George Cruikshank
Queen Mary at the instance of Simon Renard affiancing herself to Philip of Spain, 1840. Renard was the Ambassador of Philips father, the Holy Roman Emperor Charles V, and was a close confidant of Mary. The marriage failed to produce the hoped for Catholic heir to the English throne, and the Protestant Elizabeth I became queen after Marys death. A print from The Tower of London a Historical Romance, by William Harrison Ainsworth, Richard Bently, New Burlington Street, London, 1840
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Media ID 14944365
© The Print Collector / Heritage-Images
Ainsworth Ambassador Bloody Mary Chapel Cruikshank Engaged Engagement George Cruikshank King Of Spain And Portugal King Philip Ii Mary I Mary Tudor Philip Ii Priest Queen Mary I Queen Of England And Ireland Renard Simon Tower Of London Tudor William Harrison William Harrison Ainsworth Print Collector8 Roman Catholicism
18x24 inch Poster Print
Step back in time with our captivating poster print from the Media Storehouse collection. This elegant artwork, titled "Queen Mary at the instance of Simon Renard affiancing herself to Philip of Spain, 1840," is a masterpiece by renowned English artist George Cruikshank. Depicting a pivotal moment in history, the print captures Queen Mary I of England, affectionately known as Bloody Mary, as she pledges her hand to King Philip II of Spain, with the assistance of Simon Renard, the Spanish ambassador. This intriguing piece of historical art is a must-have for history enthusiasts, art collectors, or anyone who appreciates the beauty and intrigue of the past. Bring this captivating image into your home or office and let the story unfold.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, created by George Cruikshank in 1840, depicts a significant moment in history - the affiancing of Queen Mary to Philip of Spain. The scene showcases the interior of a chapel within the Tower of London, where this pivotal engagement took place. Simon Renard, the Ambassador of Philip's father Charles V, is seen as a close confidant to Queen Mary during this crucial event. However, despite their hopes for a Catholic heir to the English throne, this marriage ultimately failed in producing such an outcome. Instead, it was Mary's Protestant half-sister Elizabeth I who ascended to power after her death. The intricate details captured by Cruikshank bring forth an atmosphere filled with religious symbolism and royal grandeur. The queen kneels before a priest while wearing an exquisite dress that reflects the fashion of the sixteenth century. Surrounding them are other individuals present at this historic occasion. This print not only portrays historical figures like Queen Mary I and Simon Renard but also serves as a testament to George Cruikshank's artistic prowess. His skillful engraving technique brings life to every line and shadow on paper. As we gaze upon this monochrome masterpiece today, we are transported back in time to witness one of England's most significant moments - when religion clashed with politics and dynastic aspirations shaped destinies.
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